{"id":1604,"date":"2024-07-26T11:16:13","date_gmt":"2024-07-26T11:16:18","guid":{"rendered":"https:\/\/interphono.eu\/festival\/"},"modified":"2025-02-03T13:16:10","modified_gmt":"2025-02-03T13:16:10","slug":"festival","status":"publish","type":"page","link":"https:\/\/interphono.eu\/es\/project\/france\/festival\/","title":{"rendered":"Festival 2024 FR"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Theatre creation<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

From my window<\/strong> gives birth to theatre of sound<\/strong>.<\/p>

The project will be created through sound creation<\/strong>, and with it, by collecting, reusing, and working with ambient sounds, voices, music, and sound effects to bring fiction to life.<\/p>

From my window<\/strong> will be an invitation to participate, through listening<\/strong>, in the process of emerging fiction, starting from what we dream at home, by expressing our imaginary journeys<\/strong> and extending them until we return to hear our reality differently\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

A theatre creation<\/strong> by Delphine Salkin<\/strong>
as part of the European project Interphono Creative Europe 2023 \u2013 2025<\/strong>:
France \/ Gennevilliers<\/strong> \u2013 Compagnie Nonumo\u00ef
Belgium \/ Brussels<\/strong> \u2013 La Tricoterie
Spain \/ Madrid<\/strong> \u2013 Teatro de La Abad\u00eda<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

What do we mean by inhabiting?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

When, why, and how do we feel ‘at home’<\/strong>?<\/p>

And what distant places do we dream of when we find ourselves at home, especially in a neighborhood that is changing and not always of our choosing?<\/p>

We asked these questions to Marcelle, Lucien, Aminata, Estelle, Ella, Nathalie, Ma\u00efssa, Djaffer, Samir,<\/strong> and Jean<\/strong>, all residents of Gennevilliers, neighbors who didn\u2019t know each other. Their recorded testimonies were edited to create sound ‘portrait-landscapes’<\/strong>, blending documentary and fiction, the closeness of daily life and distant horizons. Complemented by various texts (Baudelaire, Queneau, Mona Chollet, and others), these materials are reinterpreted, embraced, and reinvented on stage by four actors. The goal: to invite the audience to ask themselves these same questions while exploring a few concrete answers, offered as indirect self-portraits<\/strong>.<\/p>

The utopia: through these confidences\u2014windows opened onto the intimacy of residents who may or may not resemble us\u2014each and every one of us recognizes in ourselves what we call ‘home<\/strong>‘ and discovers there a living source of our own imagination.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

We explore the everyday life that surrounds us<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Which each person experiences in their own personal space: a shelter that, while protective, can also sometimes isolate. In this intimate space, we propose opening a window onto an imaginary elsewhere<\/strong>, offering another perspective on the world around us… This journey unfolds on multiple levels, always unified and enriched by the evocative power of sound<\/strong>. Here, the stage space and the sound dimension interact, feeding off each other.<\/p>

The theatre creation is based on recorded interviews<\/strong> and workshops with the residents of the Agnettes neighborhood in Gennevilliers. Their voices, dreams, and objects interact with the professional performers on stage.<\/p>

Sound, at the heart of the performance, oscillates between radio documentary<\/strong> and theatrical fiction. Four actors perform on stage, accompanied by a live sound installation. They reinvent<\/strong> the recorded testimonies of the residents (see the portraits). The sound and musical elements come to life thanks to the collaboration with Jules Wysocki<\/strong>, sound designer, musician, and mixer. Jules, a percussionist and composer in computer-assisted music<\/strong>, also works on sound mixing in cinema. He has the ability to reinvent real sounds<\/strong> while creating imaginary soundscapes.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

From my window <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

What do we call home? When, why and how do we feel \u2018at home\u2019? And what other places do people dream of when they find themselves at home, especially in a changing neighbourhood in a big city? Over the course of a year, we travelled around a district of Gennevilliers and asked a dozen residents these questions: Marcelle, Lucien, Aminata, Jean, Djaffer and others, all neighbours who didn’t know they were neighbours. Using them as a starting point, we are exploring a theatre of sound, somewhere between testimonies and imaginary creations, with the voices, ambient noises, the sounds of the city, the music and landscapes of each person’s dreams. A theatre, then, where the space of the stage and that of sound enter into interference and stimulate each other. The recorded testimonies and sounds form \u2018portrait landscapes\u2019 that open up the proximity of everyday life to more than distant horizons. Supplemented by various texts, the material developed with the residents is taken up, assumed and reinvented on stage by four actors. Ten residents are also the subject of a visual and sound exhibition, accompanying the show as a prologue or extension.\u00a0<\/span>The aim is to invite the audience to take part, in turn, in the process of emerging fiction, to let themselves travel far away before coming back to listen in a different way to the reality that is close to us. Through these windows into the lives of people who may or may not resemble us, we may all come to recognise what we call \u2018home\u2019, and discover a living source of our own imagination.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

From my window – by Delphine Salkin<\/span><\/p>\n

Texts – extracts  – <\/span>By Delphine Salkin, Daniel Loayza, Olivier Cruveiller, Mona Chollet, Raymond Queneau, Charles Baudelaire, Chekhov… and contributions from ten residents of the Agnettes neighbourhood.<\/span><\/p>\n

Stage direction, sound design and production of the sound portraits – <\/span>Delphine Salkin<\/span><\/p>\n

Assistant director – collaboration on sound design – <\/span>Sami Tedeschi<\/span><\/p>\n

Musical compositions and sound environments for the portraits  – <\/span>Jules Wysocki<\/span><\/p>\n

Musical compositions – <\/span>Pascale Salkin<\/span><\/p>\n

With  – <\/span>Olivier Cruveiller, Delphine Salkin, Matisse Tchenquela and Sofiane Hamida-Renard<\/span><\/p>\n

With the recorded participation of In\u00e8s Collado and the residents of Les Agnettes in Gennevilliers – Estelle, Djaffer, Lucien, Marcelle, Ma\u00efssa, Nathalie, Aminata, Jean, Ella, Samir<\/span><\/p>\n

Lighting design  – <\/span>Daniel L\u00e9vy<\/span><\/p>\n

Set design  – <\/span>Alwyne de Dardel<\/span><\/p>\n

Assistant stage designer  – <\/span>Anna Seynave<\/span><\/p>\n

Sound recordings of the portraits and sound postcards  – <\/span>Zo\u00e9 Suliko, Marty No, Delphine Salkin, Sofiane Hamida-Renard, Sami Tedeschi<\/span><\/p>\n

Direction, photos and films – <\/span>Sofiane Hamida-Renard<\/span><\/p>\n

Administration and development Nonumo\u00ef – <\/span>Claudia Ben\u00edtez<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t

The Interphono artistic team<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

DELPHINE SALKIN<\/h3>

Actress, director, radio creator, author<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

OLIVIER CRUVEILLER<\/h3>

Director and actor<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

MATISSE TCEHNQUELA<\/h3>

Actress<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

SOFIANE HAMIDA<\/h3>

Actor, stage manager, photographer<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

ZO\u00c9 SULIKO<\/h3>

Radio producer, sound creator, videographer<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

JULES WYSOCKI<\/h3>

Composer, mixer, sound designer<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

ALWYNE DE DARDEL<\/h3>

Set designer - visual artist<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

MATEO PROVOST<\/h3>

Sound technician<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

DANIEL L\u00c9VY<\/h3>

Lighting designer<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

CLAUDIA BENITEZ<\/h3>

Sociologist, specialized in cultural policy<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t
\"\"<\/figure>

DANIEL LOAYZA<\/h3>

Translator, playwright<\/p><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Partnerships<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Various cultural venues are partners in this project<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Project partners<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t
\n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tCity of Gennevilliers<\/strong>: Support from cultural and social services, particularly for photo printing<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tEspace Culturel Sa\u00e2d Abssi \u2013 Gennevilliers<\/strong>: Hosting artistic creations and residencies, as well as technical support for 2023-2025.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tThe State \u2013 Ville Contract<\/strong>: Funding for sound creation and workshops, with a renewal planned in 2024.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tDepartment of Hauts-de-Seine<\/strong>: Support for workshops and sound creation in 2023, with continuation in 2024.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tTQI \u2013 Th\u00e9\u00e2tre des Quartiers d\u2019Ivry<\/strong>: Two-week stage residency from October 28 to November 8, 2024.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tRelais Culture Europe \u2013 Paris<\/strong>: Communication management, social media oversight, and support for expanding the project as part of the 2025 cooperation call.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tVCH B\u00e2timent<\/strong>: Supply of materials and construction of the version 1 cabin<\/strong> in January 2024 for the \u201cPhoNomaton,\u201d an integral part of the sound installation around the performance.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tFouzi Bekari<\/strong>: Design of the telecommunication system between two PhoNomaton cabins in 2025.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tEx-Nihilo, Partner Company \u2013 Gennevilliers<\/strong>: Construction of two PhoNomaton cabins and production of visuals.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t
  • \n\t\t\t\t\t\t\t\t\t\tCreative Europe<\/strong>: Overall support for the project as part of the 2024 cooperation call.<\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    Theatre creation From my window gives birth to theatre of sound. The project will be created through sound creation, and with it, by collecting, reusing, and working with ambient sounds, voices, music, and sound effects to bring fiction to life. From my window will be an invitation to participate, through listening, in the process of […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":137,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1604","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/pages\/1604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/comments?post=1604"}],"version-history":[{"count":11,"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/pages\/1604\/revisions"}],"predecessor-version":[{"id":2445,"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/pages\/1604\/revisions\/2445"}],"up":[{"embeddable":true,"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/pages\/137"}],"wp:attachment":[{"href":"https:\/\/interphono.eu\/es\/wp-json\/wp\/v2\/media?parent=1604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}